Read online Natasha Lushetich - Interdisciplinary Performance : Reformatting Reality TXT, DJV
9781137335012 English 1137335017 Spanning a hundred years (1910 2010) and three geographical locations Europe, Japan and North America this unique book examines the capacity of performance to recode reality. It argues for a seamless continuity between philosophy, critical theory and artistic practice. Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way. The book's analysis of such landmark phenomena as the ready-made, action painting, intermedia, feminine writing, identity politics, cyborgian bio-art and ludic (h)activism make it an invaluable source for practical theorists, and undergraduate and Masters-level students of Performance Studies, Performing Arts, Fine and Visual Arts and Cultural Studies.", Spanning one hundred years and three geographical locations - Europe, Japan and North America - this book examines the capacity of performance to bring new propositions for what a shared reality might look like to the common bank of knowledge. It introduces the fundamental concepts of interdisciplinarity in performance, tracing its development from Futurism and Dadaism to the present, enabling students to understand the different modes of interdisciplinary performance making, and to conceive and realise performance work of their own. Landmark phenomena such as action painting, intermedia, feminine writing, identity politics, cyborgian bio-art, electronic disturbance and ludic (h)activism are analysed, making this an invaluable source for practical theorists and students of Performing Arts, Fine and Visual Art and Cultural Studies. Through a unique approach, Natasha Lushetich shows artistic practice to be coextensive with philosophy and critical theory., Spanning one hundred years and three geographical locations Europe, Japan and North America this book examines the capacity of performance to bring new propositions for what a shared reality might look like to the common bank of knowledge. It introduces the fundamental concepts of interdisciplinarity in performance, tracing its development from Futurism and Dadaism to the present, enabling students to understand the different modes of interdisciplinary performance making, and to conceive and realise performance work of their own. Landmark phenomena such as action painting, intermedia, feminine writing, identity politics, cyborgian bio-art, electronic disturbance and ludic (h)activism are analysed, making this an invaluable source for practical theorists and students of Performing Arts, Fine and Visual Art and Cultural Studies. Through a unique approach, Natasha Lushetich shows artistic practice to be coextensive with philosophy and critical theory. "
9781137335012 English 1137335017 Spanning a hundred years (1910 2010) and three geographical locations Europe, Japan and North America this unique book examines the capacity of performance to recode reality. It argues for a seamless continuity between philosophy, critical theory and artistic practice. Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way. The book's analysis of such landmark phenomena as the ready-made, action painting, intermedia, feminine writing, identity politics, cyborgian bio-art and ludic (h)activism make it an invaluable source for practical theorists, and undergraduate and Masters-level students of Performance Studies, Performing Arts, Fine and Visual Arts and Cultural Studies.", Spanning one hundred years and three geographical locations - Europe, Japan and North America - this book examines the capacity of performance to bring new propositions for what a shared reality might look like to the common bank of knowledge. It introduces the fundamental concepts of interdisciplinarity in performance, tracing its development from Futurism and Dadaism to the present, enabling students to understand the different modes of interdisciplinary performance making, and to conceive and realise performance work of their own. Landmark phenomena such as action painting, intermedia, feminine writing, identity politics, cyborgian bio-art, electronic disturbance and ludic (h)activism are analysed, making this an invaluable source for practical theorists and students of Performing Arts, Fine and Visual Art and Cultural Studies. Through a unique approach, Natasha Lushetich shows artistic practice to be coextensive with philosophy and critical theory., Spanning one hundred years and three geographical locations Europe, Japan and North America this book examines the capacity of performance to bring new propositions for what a shared reality might look like to the common bank of knowledge. It introduces the fundamental concepts of interdisciplinarity in performance, tracing its development from Futurism and Dadaism to the present, enabling students to understand the different modes of interdisciplinary performance making, and to conceive and realise performance work of their own. Landmark phenomena such as action painting, intermedia, feminine writing, identity politics, cyborgian bio-art, electronic disturbance and ludic (h)activism are analysed, making this an invaluable source for practical theorists and students of Performing Arts, Fine and Visual Art and Cultural Studies. Through a unique approach, Natasha Lushetich shows artistic practice to be coextensive with philosophy and critical theory. "